Garden @ The Queensberry Hotel, Bath UK
 

Audible.com subscribers are welcome to enjoy my Wondrium lectures “Reading Pride and Prejudice in the 21st Century.” 

If you are interested in screen adaptations of the novel, The Jane Austen Society of North America has curated a wonderful list of them here. To learn more about the novel including various editions, modern retellings, scholarly resources, and podcasts, see below for further reading.*

erratum: Pride and Prejudice is Austen’s second novel.

Pride and Prejudice Editions

 
 

Norton Library (Jenny Davidson, ed.)

The Norton Critical Edition (Donald Gray & Mary A. Favret, eds)

Broadview Press Edition (Irvine, Robert P.)

Penguin Random House (Vivien Jones & Tony Tanner, eds;
Coralie Bickford Smith, illustrations)

Dover

Oxford Classic (Christina Lupton and James Kinsley, eds)

The Annotated Pride and Prejudice (David M. Shapard)

Pride and Prejudice: An Annotated Edition (Patricia Meyer Spacks)

Modern Retellings

 
 

Chau, C.K. Good Fortune, Harper Collins.

Dev, Sonali. Pride, Prejudice and Other Flavors, William Morrow.

Fielding, Helen. Bridget Jones’s Diary, Penguin Random House.

Graham-Smith, Seth. Pride and Prejudice and Zombies,Quirk Books.

Green, Hank and Bernie Sue. The Lizzie Bennet Diaries YouTube.

Jalaluddin, Uzma. Ayesha at Last, Penguin Random House.

Kahmal, Sonya. Unmarriageable, Penguin Random. 

Payne, Nikki. Pride and Protest, Penguin Random. 

Sittenfeld, Curtis. Eligible, Penguin Random House.

Zoboi, Ibi.  Pride: A Pride and Prejudice Remix, HarperCollins Publishers. 

19th-Century Studies

 
 

Barchas, Janine. Matters of Fact in Jane Austen: History, Location, and Celebrity. The Johns Hopkins University Press (2012).

Batchelor, Jennie. The Ladies Magazine (1770-1832) and the Making of Literary History. Edinburgh University Press (2022).

Batchelor, Jennie and Alison Lark. Jane Austen and Embroidery: Regency Patterns Reimagined for Modern Stitchers. Dover Publications (2020).

Bautz, Annika, Daniel Cook, and Kerry Sinanan, eds. Austen After 200: New Reading Spaces. Springer Publications (2023).

Davidson, Jenny. Reading Jane Austen. Cambridge University Press (2017).

Dow, Gillian and Clare Hanson, eds. Uses of Austen: Jane’s Afterlives. Palgrave Macmillan (2012).

Fowler, Corinne. Green Unpleasant Land: Creative Responses to Rural England's Colonial Connections. Peepal Tree Press (2020).

Gerzina, Gretchen.  Black England: A Forgotten Georgian History. John Murray Publishers (Revised 2022). 

Goode, Mike. Romantic Capabilities: Blake, Scott, Austen, and the New Messages of Old Media. Oxford University Press (2020).

Hendricks, Margo. Race and Romance: Coloring the Past. University of Chicago Press (2022).

Johnson, Claudia. Jane Austen: Women, Politics, and the Novel. University of Chicago Press (1998).

Keymer, Tom. Jane Austen: A Very Short Introduction. Oxford University Press (2022).

Looser, Devoney. Sister Novelists: The Trailblazing Porter Sisters Who Paved the Way for Austen and the Brontës. Bloomsbury (2022). 

Lynch, Deidre ed., Janeites: Austen’s Disciples and Devotees. Princeton University Press (2000)

Otele, Olivette. African Europeans: An Untold History. Hurst Publishers (2020). '

Perry, Victoria. A Bittersweet Heritage: Slavery, Architecture and the British Landscape. Hurst Publishers (2022).

Todd, Janet, Ed. The Cambridge Companion to ‘Pride and Prejudice’. Cambridge University Press (2013).

Wilson, Cheryl A. and Maria H. Frawley, Eds. The Routledge Companion to Jane Austen. Routledge (2021).

Articles & Book Chapters

 
 

Bond, Heidi S. “Pride and PredatorsMichigan Law Review, May 2021.

Favret, Mary A.  “Being True to Jane Austen.”  Victorian Afterlife: Postmodern Culture Rewrites the Nineteenth Century.  Ed. John Kucich and Dianne F. Sadoff.  Minneapolis: U of Minnesota P, 2000.  64-81.

Kasbekar, Veena P. Bride and Prejudice: Austen Colonized? A Desi (Insider) Perspective.” Persuasions: The Jane Austen Journal Online 41, no.2 (2021). 

Lanser, Susan S. “Second-Sex Economics: Race, Rescue, and the Heroine’s Plot.” The Eighteenth Century 61, no.2 (2020): 227-244.

Levy, Michelle and Kandice Sharren. "Teaching Editions of the Works of Jane Austen: A Survey." Texas Studies in Literature and Language 61, no. 4 (2019): 443-448. 

Murphy, Olivia. “Queering Jane Austen in the Twenty‐First Century.” Journal of Popular Culture 53, no.4 (2020): 790–810. 

Prescott, Amanda-Rae. “Race and Racism in Austen Spaces: Notes on A Scandal: Sanditon Fandom’s Ongoing Racism and the Danger of Ignoring Austen Discourse on Social Media.”ABO: Interactive Journal for Women in the Arts, 1640-1830 11, no.2 (2021).

Seeliger, Henriette-Juliane. “Looking for Mr. Darcy: The Role of the Viewer in Creating a Cultural Icon.” Persuasions : The Jane Austen Journal Online 37, no. 1 (2016).

Shand, Elizabeth. “The Critical Insurgency of Austen’s Suffrage Afterlife: ‘I Hope I Shall Not Be Accused of Pride and Prejudice.’” Tulsa Studies in Women’s Literature 41, no. 1 (2022): 91–112. 

Sharma, Mridula. “New Masculinities, Old Conventions: Gender Divisions and Representations in Pride and Prejudice.” Persuasions: The Jane Austen Journal Online 41, no. 2 (2021).

Sinanan, Kerry. “Race and Racism in Austen Spaces: Eroticizing Men of Empire in Austen.”ABO:Interactive Journal for Women in the Arts, 1640-1830 11, no.2 (2021).

Stovel, Nora. “‘Will You Dance?’ Film Adaptations of Pride and Prejudice.” Persuasions: The Jane Austen Journal Online 34, no 1 (2013).

Ventour-Griffiths, Tré. “Race and Racism in Austen Spaces: National Trust in Jane Austen’s Empires of Sugar.” ABO: Interactive Journal for Women in the Arts, 1640-1830 11, no.2 (2021).

Wells, Justine.“‘Pride and Prejudice, Here and Now’: Reflecting on a First Year College Seminar.”  Persuasions: The Jane Austen Journal Online 41, no.2 (2021).

Podcasts

 
 

*These lectures were recorded at the National Humanities Center. The resource guide was compiled with the assistance of Carole V. Belle, Devoney Looser, Amanda-Rae Prescott, and Analiza Ruiz. Many thanks to Gina Dalfonzo and Kate Rosenberger at Wondrium and to Joel Elliott at the National Humanities Center.